RH GREEN SUMMER 2012

Then she opened her mouth to scream—and recognised me. It was what I’d been waiting for. She froze. She looked into my eyes. She said, “It’s you.” Meet Jake. A bit on the elderly side (he turns 201 in March), but you’d never suspect it. Nonstop sex and exercise will do that for you—and a diet with lots of animal protein. Jake is a werewolf, and after the unfortunate and violent death of his one contemporary, he is now the last of his species. Although he is physically healthy, Jake is deeply distraught and lonely. Jake’s depression has carried him to the point where he is actually contemplating suicide—even if it means terminating a legend thousands of years old. It would seem to be easy enough for him to end everything. But for very different reasons there are two dangerous groups pursuing him who will stop at nothing to keep him alive. Here is a powerful, definitive new version of the werewolf legend—mesmerising and incredibly sexy. In Jake, Glen Duncan has given us a werewolf for the twenty-first century—a man whose deeds can only be described as monstrous but who is in some magical way deeply human. One of the most original, audacious, and terrifying novels in years.

Wickedly hilarious and utterly recognizable, Girls in White Dresses tells the story of three women grappling with heartbreak and career change, family pressure and new love—all while suffering through an endless round of weddings and bridal showers. Isabella, Mary, and Lauren feel like everyone they know is getting married. On Sunday after Sunday, at bridal shower after bridal shower, they coo over toasters, collect ribbons and wrapping paper, eat minuscule sandwiches and doll-sized cakes. They wear pastel dresses and drink champagne by the case, but amid the celebration these women have their own lives to contend with: Isabella is working at a mailing-list company, dizzy with the mixed signals of a boss who claims she’s on a diet but has Isabella file all morning if she forgets to bring her a chocolate muffin. Mary thinks she might cry with happiness when she finally meets a nice guy who loves his mother, only to realize he’ll never love Mary quite as much. And Lauren, a waitress at a Midtown bar, swears up and down she won’t fall for the sleazy bartender—a promise that his dirty blond curls and perfect vodka sodas make hard to keep. With a wry sense of humor, Jennifer Close brings us through those thrilling, bewildering, what-on-earth-am-I-going-to-do-with-my-life years of early adulthood. These are the years when everyone else seems to have a plan, a great job, and an appropriate boyfriend, while Isabella has a blind date with a gay man, Mary has a crush on her boss, and Lauren has a goldfish named Willard. Through boozy family holidays and disastrous ski vacations, relationships lost to politics and relationships found in pet stores, Girls in White Dresses pulls us deep inside the circle of these friends, perfectly capturing the wild frustrations and soaring joys of modern life.

From the author of 1491—the best-selling study of the pre-Columbian Americas—a deeply engaging new history of the most momentous biological event since the death of the dinosaurs. More than 200 million years ago, geological forces split apart the continents. Isolated from each other, the two halves of the world developed radically different suites of plants and animals. When Christopher Columbus set foot in the Americas, he ended that separation at a stroke. Driven by the economic goal of establishing trade with China, he accidentally set off an ecological convulsion as European vessels carried thousands of species to new homes across the oceans. The Columbian Exchange, as researchers call it, is the reason there are tomatoes in Italy, oranges in Florida, chocolates in Switzerland, and chili peppers in Thailand. More important, creatures the colonists knew nothing about hitched along for the ride. Earthworms, mosquitoes, and cockroaches; honeybees, dandelions, and African grasses; bacteria, fungi, and viruses; rats of every description—all of them rushed like eager tourists into lands that had never seen their like before, changing lives and landscapes across the planet. Eight decades after Columbus, a Spaniard named Legazpi succeeded where Columbus had failed. He sailed west to establish continual trade with China, then the richest, most powerful country in the world. In Manila, a city Legazpi founded, silver from the Americas, mined by African and Indian slaves, was sold to Asians in return for silk for Europeans. It was the first time that goods and people from every corner of the globe were connected in a single worldwide exchange. Much as Columbus created a new world biologically, Legazpi and the Spanish empire he served created a new world economically. As Charles C. Mann shows, the Columbian Exchange underlies much of subsequent human history. Presenting the latest research by ecologists, anthropologists, archaeologists, and historians, Mann shows how the creation of this worldwide network of ecological and economic exchange fostered the rise of Europe, devastated imperial China, convulsed Africa, and for two centuries made Mexico City—where Asia, Europe, and the new frontier of the Americas dynamically interacted—the center of the world. In such encounters, he uncovers the germ of today’s fiercest political disputes, from immigration to trade policy to culture wars. In 1493, Charles Mann gives us an eye-opening scientific interpretation of our past, unequaled in its authority and fascination.

America’s most celebrated novelist, Nobel Prize-winner Toni Morrison extends her profound take on our history with this twentieth-century tale of redemption: a taut and tortured story about one man’s desperate search for himself in a world disfigured by war. Frank Money is an angry, self-loathing veteran of the Korean War who, after traumatic experiences on the front lines, finds himself back in racist America with more than just physical scars. His home may seem alien to him, but he is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from and that he’s hated all his life. As Frank revisits his memories from childhood and the war that have left him questioning his sense of self, he discovers a profound courage he had thought he could never possess again. A deeply moving novel about an apparently defeated man finding his manhood—and his home.

Glen Duncan now gives us a stunning follow-up to The Last Werewolf, which has been hailed as "a brilliantly original thriller, a love story, a witty treatise on male (and female) urges, even an existential musing on what it is to be human" (James Medd, The Word). Talulla, pregnant, grieving, and on the run, must face her werewolf future without Jake. Premature labor under a full moon leaves her near death, but with her newborn son in her arms, she believes the worst is over. Until the door opens--and a new nightmare begins. What follows tests her sanity, her motherhood, and her will to survive, in a race against time to recover her lost child, an epic struggle that sees her crossing paths with a psychotic new WOCOP leader, an unlikely human lover, blood-drinking religious fanatics, a pack of London werewolves, and (rumor has it) the oldest living vampire on earth... Talulla Rising pushes the werewolf myth further into new territory to give us a novel rich in action and ideas, delivering in the process the definitive twenty-first-century female of the species.

Heather and Mack McKay seem to have it all: wealth, a dream house in the suburbs, and two adorable children along with the nannies to raise them. But their marriage has lost its savor: she is a frustrated writer and he longs for a cultural trophy to hang on his belt. During a chance encounter in LA, Mack invites exiled writer Zoltan Barbu—once lionized as a political hero, now becoming a has-been—to live with him and his wife in their luxurious home. The plan should provide Heather with literary companionship, Mack with cultural cachet, and Zoltan himself with a pastoral environment in which to overcome his writer’s block and produce a masterpiece. Of course, as happens with triangles, complications arise—some hilarious, some sad—as the three players pursue a game that leads to shifting alliances and sexual misadventures. Shulman pokes fun at our modern malaise (why is having it all never enough?), even as she traces the ever-changing dynamics within a marriage. Ménage is a bravura performance from one of America’s most renowned feminist writers.